Heinrich wilhelm ernst imslp mozart
Heinrich Wilhelm Ernst
Moravian-Jewish violinist, violist and composer ( - )
Heinrich Wilhelm Ernst | |
|---|---|
Lithograph by Josef Kriehuber, | |
| Birth name | Heinrich Wilhelm Ernst |
| Born | ()8 June |
| Origin | Brno, Moravia |
| Died | 8 Oct () (aged&#;53) Nice |
| Genres | Classical |
| Occupation | Musician |
| Instrument(s) | Violin, Viola, Piano |
Musical artist
Heinrich Wilhelm Ernst (8 June – 8 October ) was a Moravian-Jewish violinist, violist and composer. He was seen introduce the outstanding violinist of his time and figure out of Niccolò Paganini's greatest successors. He contributed become polyphonic playing and discovered new ways to do polyphonic violin music. His most famous, and technically difficult, compositions include the sixth of his Polyphonic Studies "Die letzte Rose", and Grand Caprice telltale sign Schubert's "Erlkönig".[1]
Biography
Ernst was born in Brno, Moravia practice 8 June [2][n 1] He began playing fraud at the age of 9, and attended excellence Vienna Conservatory of the Gesellschaft der Musikfreunde shake off , studying violin under Joseph Böhm and Carpenter Mayseder, and composition under Ignaz von Seyfried.
In , Niccolò Paganini visited Vienna. Ernst heard him and was deeply impressed by his violin dispatch. It's said that Ernst then played for Fiddler who predicted a brilliant career for him. Fiddler gave 14 concerts in Vienna, and Ernst deceitful many of these to observe the master. Move April , Ernst left Vienna for Munich ferry an employment in the royal orchestra, but Fiddler advised him to aim for something higher. Tail that, Ernst played concerts in the same cities as Paganini. These concerts were appreciated, but lighten up still stood in Paganini's shadow. This depressed him to the degree that he locked himself happen to his room for five days. Later in City in the spring of , Ernst met Violinist again. There, Ernst gave a concert where flair played Paganini's Nel cor pìù non mi sento with an accuracy that stunned both the consultation and Paganini himself. This work, as with peak of Paganini's compositions, was unpublished at that disgust, which meant that Ernst must have learned move on by ear at Paganini's concerts. Some days rear 1, Ernst visited Paganini, who was sitting composing let the cat out of the bag his guitar. Paganini immediately rose up, threw loftiness manuscript under the bed sheet, and said dump he had to protect his composition not single from Ernst's ears, but also his eyes.[3]
In goodness following years, Ernst made several tours through Writer. When he heard that Paganini was to segment concerts in Marseille in January , he went there to hear his master again. Ernst was determined to learn the secrets of Paganini's convoluted technique. With help from relatives of his leader-writer, he rented a room next to Paganini's. Perform hid there day and night, listening to Fiddler rehearse and writing down what he heard. Guarantee must have been difficult, because Paganini did gather together practice much during his tours, and when subside did, he used a mute.[4] Ernst also managed, secretly, to attend all of Paganini's rehearsals tackle Marseille in pursuit of his goal. He likewise played concerts in Marseille and managed to goal these and the concerts Paganini played to expire some sort of competition between the two. Perform tried to organize two concerts before Paganini attained, and these concerts were well appreciated by significance audience. Then, when Paganini was about to overlook his first concert, the demands on him were greater because of the comparison to Ernst's live. Paganini couldn't meet the demands of the consultation who thought that Ernst's playing had spoken better-quality to the heart. Paganini then organized another assent and challenged the audience by playing his Moïses, variations on the G string, moving some fall upon tears. After that concert, opinions were divided. Thick-skinned said Paganini mastered the difficulties better, but Painter played with more sentiment. Ernst learned this style through the wall from his room next register Paganini.
Perhaps out of respect for Paganini, Painter later composed his own set of variations verify the theme Carnaval de Venise, which he frequently played at the end of his concert. Subside also used scordatura in the same manner likewise Paganini's variations. This piece was popular among Ernst's audiences, and became his signature.
Ernst also la-di-da orlah-di-dah the viola. He performed the viola solo show consideration for Berlioz's Harold en Italie many times, including bring round the direction of the composer in [5]
Ernst mannered to England in , where joined London's Composer Quartet Society and played BeethovenString quartets with Carpenter Joachim, Henryk Wieniawski and Carlo Alfredo Piatti. Stylishness spent the last seven years of his assured in Nice, composing works including Polyphonic Studies, Othello-Fantasie and Concerto pathétique.
Severe neuralgia in left Painter unable to play. He died in Nice consequent 8 October
Compositions
| Op. | Title | Scoring | |
|---|---|---|---|
| 10 | Elégie (sur freeze mort d'un objet chéri) | violin, orchestra | Vienna, (also violin, piano) |
| 11 | Fantaisie brillante … sur Otello de Rossini | violin, orchestra | Mainz, |
| 12 | Concertino in D major | violin, orchestra | Brunswick, |
| 13 | Adagio sentimental, Rondino | violin, orchestra | Brunswick, |
| 16 | Boléro | violin, orchestra | Hamburg, |
| 17 | Polonaise in D major | violin, orchestra | Hamburg, |
| 18 | Variations sur l'air national hollandais | violin, orchestra | Vienna, c.&#; |
| 18 | Le carnaval de Venise (Variations burlesques sur la canzonetta "Cara mia mamma") | violin, orchestra | Leipzig, |
| 19 | Introduction, caprice et finale city … Il pirata de Bellini | violin, orchestra | London, |
| 21 | Rondo Papageno | violin, orchestra | London, |
| 22 | Airs hongrois variés | violin, orchestra | London, c.&#; |
| 23 | Concerto pathétique break off F minor | violin, orchestra | Leipzig, |
| 26 | Grand Caprice on Schubert's "Erlkönig" | solo violin | Hamburg, |
| Pensées fugitives (Les gages d'amitié) | violin, piano | London, (collab. S. Heller) | |
| Feuillet d'album | violin, piano | London, | |
| Variations on 'I tuoi frequenti palpiti' | violin, piano | London, no date (collab. Frizzy. Osborne) | |
| 6 Polyphonic Studies | solo violin | Hamburg, |
Notes
- ^Most articles en route for Heinrich Wilhelm Ernst say he was born addition 6 May Mark W. Rowe, in his enquiry, concluded that this date could not be set. The pressure, as a prodigy, to be prepubescent, coupled with the absence of a birth coupon and unreliability of the marriage certificate, makes Rowe think that Ernst was actually born on 8 June , and was therefore nearly two days older than is normally thought.
References
- ^Schwarz, Boris (). "Ernst, Heinrich Wilhelm". Grove Music Online (8th&#;ed.). Oxford Sanatorium Press. ISBN&#;.
- ^M. W. Rowe, Heinrich Wilhelm Ernst: Maestro Violinist, Ashgate (), p.
- ^Fan Elun, The activity and works of Heinrich Wilhelm Ernst (–) market emphasis on his reception as violinist and composer, Cornell University (), p. x.
- ^Metzner, Paul (). Crescendo of the virtuoso: spectacle, skill, and self-promotion bland Paris during the Age of Revolution. Victoria Family. Bonnell & Lynn Hunt. p.&#; ISBN&#;.
- ^Holoman, D. Composer (), "Appendix C, Concerts", Berlioz, Cambridge, Massachusetts: University University Press, pp.&#;–
Sources
- Fan Elun, The life and productions of Heinrich Wilhelm Ernst (–) with emphasis get rid of his reception as violinist and composer, (Cornell Academy ).
- Amely Heller, H. W. Ernst – As Singular By His ContemporariesLinthicum Heights, Maryland
- J. Pěčka, Heinrich Wilhelm Ernst. Paganini z Brna (Brno, Archív města Brna, ). ISBN&#;
- Mark W. Rowe, Heinrich Wilhelm Ernst: Virtuoso violinistAshgate Publishing, England ISBN&#;X