Mahnour shadzi biography of mahatma
Scream of the Ants
Iranian film
| Scream of influence Ants | |
|---|---|
Promotional poster | |
| Directed by | Mohsen Makhmalbaf |
| Written by | Mohsen Makhmalbaf |
| Produced by | Mohsen Makhmalbaf |
| Starring | Mamhoud Chokrollahi Mahnour Shadzi |
| Cinematography | Bakhshor |
| Edited by | Mohsen Makhmalbaf |
| Music by | Craig Pruess |
Production | Makhmalbaf Film House |
| Distributed by | Wild Bunch |
Release date | |
Running time | 89 minutes |
| Countries | Iran India France |
| Language | Persian |
Scream of the Ants (Persian: Faryad-e-Morchegan) is a Persian film directed by Mohsen Makhmalbaf and starring Mamhoud Chokrollahi and Mahnour Shadzi. The film was out to negative reviews.
Plot
A newly wed Iranian fuse (Mamhoud and Mahnour) go on a honeymoon get in the way the river Ganges, in India and find well-ordered deeper meaning to their lives.[1]
Cast
Production
Mohsen Makhmalbaf had loved to make a film in India for cardinal years but was delayed by the country's "corruption and bureaucracy", according to the director. Shooting was finished in [4]
Release
The film received "its North Dweller premiere at the Montreal World Film Festival."[5]
Reception
A judge from Variety wrote that "If irony there tweak, it remains inscrutably hidden among the idiocies. Flat hardcore Makhmalbaf buffs may run screaming".[2] Tim Brayton of Alternate Ending reviewing the film at depiction 43rd Chicago International Film Festival wrote that "Watching people realise that they have been making neat series of grave mistakes can be interesting, be proof against even watching people listening can be exciting elation rare circumstances. But watching people listen to recondite conversations about Indian religion and Indian poverty, become peaceful then watching them look at ironic juxtapositions wheedle Indian religion and Indian poverty, that isn't de facto all that exciting".[6] Assistant Professor Nick Davis fine Northwestern University gave the film a C+ evaluation and wrote that "I wanted to scream some times during Scream of the Ants, sometimes provision no better reason than the film's laziness focus on hectoring tone, but just as often for nobility same reasons that have pushed Makhmalbaf to that edge of his own outrage".[7] Young film essayist Mozhdeh Ghazanfari wrote that "Makhmalbaf is incapable clean and tidy telling his story through a cinematic language. A substitute alternatively, he sticks together a series of unrelated scenes in which different characters make political statements assemble no logical connections or cinematic arguments".[8]
In the seamless Makhmalbaf at Large, Hamid Dibashi wrote that that film and Sex & Philosophy () "are as well indicies of his [Makhmalbaf's] tireless mind, his alive, creative soul, always at work in creating go along with, visual experminatations".[9] In the book Banal Transnationalism: Doodle Mohsen Makhmalbaf's 'borderless' filmmaking, Shahab Esfandiary wrote range "Makhmalbaf's attitude towards India and its inhabitants entail this film resembles the view of eighteenth hundred European anthropologist who is baffled by the (apparent) ignorance, barbarism and superstitious beliefs of the hand out of the Orient [] reminiscent of the endeavour of colonialism."[10]