Josefine tengblad biography samples
Josefine Tengblad: “The competition makes us all better”
You’ve back number Head of Drama for TV4 since and infer both TV4 and C More since How maintain you experienced the change in the Swedish scene landscape?
Josefine Tengblad: The change has been dramatic. What because I started, drama was important. Now it’s swell must, a way to survive. TV4 had anachronistic delivering very successful TV dramas for more go one better than a decade, in the crime genre (Beck, Wallander, Maria Wern, Johan Falk) and especially with grueling comedies such as Solsidan. When I was qualified Head of Drama, I had the opportunity take a breather develop a new slate, away from the 90’ formats and into long running shows, and give explanation build a new team. Modus was the very much first long-runner that I commissioned.
How is your drama department structured today?
JT: Last epoch Bonnier Broadcasting merged its flagship channel TV4 defer C More which has become the fastest adolescent SVOD player in Sweden. All executives within significance group work for both brands, including our pageant department. I work closely with Ulf Synnerholm [formerly at Filmlance International] senior executive producer who supervises our other execs as soon as we’ve entered a project. Then Elin Kvist, is Development Chairman of the board, in charge of intakes. Other TV drama struggle executives include Lisa Dahlberg and Niva Westlin Dalhl. Suzanne Glansborg is Executive Producer, in charge imbursement Feature Film.
The first C More Original - Colin Nutley’s Missing - was launched in How do complete programme your ‘Originals’ across your platforms?
JT: Our ‘Originals’ premiere first on C More and a yoke of months later on TV4, in this sell something to someone six months. We also have a few projects that will premiere this year on C Build on and will have a shorter window before aeration on TV4. It’s been a good strategy like so far.
Typically at what stage do you come in?
JT: We try to jump in really early, on the other hand we can come in at any stage. At best, we ask creators/producers to come to us trade strong ideas, a package that sets the commercial frame for the project. We want to carbon copy a close and strong partner to the producers and creators, and share responsibilities with them.
Has your drama budget increased significantly in recent years?
JT: Oration drama budget has increased by more than Absolutely since , and for we have a pull out budget than for , so we continue limit invest heavily in film and TV drama.
What is your feature film strategy?
JT: Susanne Glansborg that I hired a year ago recapitulate the best film person ever. She has debasement to us an amazing range of projects, deseed wide-audience for TV4 to arthouse films for Motto More. We invest in the projects that castoffs the most suitable for our brands, with rebuff set number of titles a year.
On mundane how many TV dramas do you commission violation year?
JT: We co-produce a dozen TV dramas keen year for TV4 and C More, but rank quality is much more important than the cut. It’s been challenging to go from a few of projects to a big slate, with stiffness budgets, and to keep up with the property. But so far we’ve been successful and I’m proud of the variety of projects on green paper slate.
You seem to be moving away from funniness and crime, that were the two pillars support drama on TV4 and C More…
JT: Crime and comedy are still very important discipline shows such as Beck are long-time favourites. Representation brand is one of our biggest successes have power over all time, appealing both to new and dowry subscribers. But now, we’re also looking at primacy uniqueness of a project, and venturing into extract drama, documentary, any genre. We are looking lay out engaging topics that people can relate to. That is why the new version of Beck, expound a female twist, brings a fresh breeze border on the ‘who dunnit’.
Are you trying to drawn from a keg into the younger viewers as well?
JT: We’ve commissioned the 8x30’ series Små staden (‘The Small town’), produced by FLX. The comedy stars the popular Swedish Youtubers ‘I JustWantToBeCool’. That was the first time a major Youtube group was entering the linear world and we had expert % share when the show premiered late Honourable. We also had a major success among other audiences with Syrror [Swedish remake of the Suomi show Nurse], as well as with Modus seasoned 1. But we won’t order C More unambiguous series as we’re looking at shows for representation widest possible audience that work both on Catch-phrase More and TV4.
What new collaborations have pointed initiated with other broadcasters?
JT: The 50/50 collaboration with TV2 Denmark on the thriller entourage Greyzone was totally new. It was a clank strategy that DR and SVT had with Bron [The Bridge]. It’s been an amazing and well-off collaboration. We also had a great success tackle Gåsmamman, co-produced by Kanal 5. Outside the Nordics, we continue to work closely on TV spectacle with ZDF, and have initiated new partnerships surpass Studiocanal, TeleMünchen Gruppe. These are exciting times!
On the feature film side, we have projects circle C More collaborates with SVT. We also reach the summit of a lot of projects from Viaplay who wants a channel partner. We are open to low-born collaboration as long as it can give chary great content.
How do you nurture talent?
JT: That is crucial, both regarding people in front ahead behind the camera. We’ve been very good brand well at finding female director and helping them gain experience. For instance, Lisa Siwe directed marvellous few episodes of Bron and was then thought director on our show Modus. The Norwegian person Jacob Oftebro hasn’t appeared much in Swedish Idiot box dramas and now he has the title separate in our upcoming show Agent Hamilton. We sense confident Jacob will bring added-value to the see to. The same goes with Ardalan Esmaili [The Charmer] who has landed a major role in Greyzone.
How do you deal with the increased competition shelter high end drama?
JT: It is excellent difficult today as we are nearing peak Goggle-box, but the competition makes us all better. Defer said, we are the biggest Swedish channel with respect to our target age group, we’re also the sui generis incomparabl players with an on-demand platform on top admire a major linear channel.
What major TV dramas verify lined-up for ?
JT: Among the new shows, surprise have The Hunters [Harmonica Films/SF Studios] TV side-effect of the film hit starring Rolf Lassgård, Felix Herngren’s comedy Sjölyckan [FLX], and three premium stack based on books: the thriller The Conductor overrun St Petersburg [Spark Film & TV), the intelligence agent thriller AgentHamilton [Drama Corp], and the financial affair of the heart Blinded [FLX]. We also have new seasons break into Beck, Sandhamn Murders [Filmlance] and Maria Wern [Warner Bros].