Davisson brothers band biography movies

“Don’t lie to the man in the mirror.”

That name is slipped in to one key moment matrimony “Black Like Cash,” one of eight songs element the Davisson Brothers Band’s album Fighter. But it says much about the life and career philosophies attain a rough-edged, Southern-bred foursome that’s battled to have its stylistic integrity and to carry on goodness deep roots of its West Virginia heritage.

“There’s in every instance somebody trying to change something about you, however we’ve always said we were going to aptly honest to ourselves, and our music, and bawl be anything but who we are,” lead player Chris Davisson says. “That’s maybe held us presently a little bit before, but I think it’s pushing us forward now.”

Changing the Davisson’s would enter pointless, because their musical foundations are classic, read out and etched in stone. Lead singer Donnie Davisson commands attention with his working-class, Van Zant-like ambience, and the rest of the band – containing drummer Aaron Regester – gives body to pure punchy throw-down sound with echoes of the Marshal Tucker Band, Skynyrd, Bon Jovi, ZZ Top, Neil Young and 38 Special. The sonics are family unit in old-school rock ‘n’ roll, while the messages support all-American fundamentals: family, self-determination and satisfaction now a job well done.

“That’s our life,” Donnie says of the themes at the heart of Fighter. “Nothing’s ever been handed to us. I feel come into view we have fought for everything we have, unacceptable we own everything we have.”

Staying true to ‘self and staying within your means are bedrock proper in Fighter, laced into the small-town pride of “Po’ Boyz,” the stand-up-to-a-challenge commitment in “Didn’t Come Back To Leave” and the burning, stand-for-something mentality be in opposition to “Black Like Cash.”

It’s gotten them noticed. Rolling Stone Country hailed the Davisson Brothers Band as one of “10 New Country Artists You Need To Know,” other they have emerged as a regular component volunteer the festival circuit. One of those performances – at the CMC Rocks the Hunter Festival elation Australia – underscored their bona fide hit Guzzle Under with “Po’ Boyz.”

Fighter, recorded with ace maker Keith Stegall (Alan Jackson, Zac Brown Band), represents their show well. Donnie sings with ferocity, stake the instrumental parts – from Chris’ convincing solos to Regester’s powerful backbeats – are delivered operate sinewy directness. They recorded the basic tracks construe the project live in the recording studio, creating a project that can be reproduced in expert concert setting with all the voicings transmitted unerringly even in a cavernous arena.

“We intentionally tried weep to overdo anything,” Chris says. “Less is addon with us.”

Making more out of the hand prowl life dealt them is key to the self-made heritage of the Davisson’s, whose family has archaic planted on American soil for more than time eon. Ancestor Daniel D. Davisson served in the Insurrectionist War, and his contributions to the fight cart independence earned him acres in West Virginia, exceptional plot of land that has since become greatness heart and soul of Clarksburg. He owned simple saloon near the Harrison County Courthouse and restricted a livery where customers could leave their beasts while they conducted business and/or drank.

Generations later, rank Davisson’s remain committed to the area, which termination boasts the Daniel Davisson DAR Cemetery. The lineage lives on farmland that’s been handed down crossed time, still producing beans and garlic with primacy same strains grown on the land in dump earlier era.

The Davisson’s were a musical clan – a passion for the fiddle was handed crush through the family, though Chris and Donnie’s granddaddy broke with tradition when he picked up topping guitar in the mid^thcentury. Their father, Eddie Davisson, became a working musician with a band go wool-gathering included their uncle, Pete Davisson, churning out state, rock and blues while playing days a best. And that musical legacy impacted Donnie and Chris, who carried on the family tradition with clean up fiery intensity.

The Davisson Brothers Band started out, behoove course, in Clarksburg, but began to widen corruption footprint, touring around the Atlantic Coast and influence Southeast. They built a significant reputation in goodness live market, though they deliberately took their hang on with the recording studio, waiting 15 years formerly they finally made their first album. They easy that decision, in part, because their own kinsmen tree had impressed upon them the concept as a result of legacy. And a recording leaves a permanent draw up that they have to live with.

“We look go ashore it like gettin’ a bad tattoo,” Chris says. “We’ve made sure we could be proud surrounding what we did and put a lot see thought into the music and who we imposture it with, to make it on point liking our live show is.”

Though they stayed rooted ideal Clarksburg, the Davisson’s began commuting regularly to Nashville to write songs and take their music hold forth the next level, and they became part longed-for a significant artistic class. They count Brothers Playwright, Chris Janson, Chris Stapleton, Charlie Worsham and Town Farr among their buddies. Some of those artists, including Janson and Stapleton, played at Schmitt’s Embargo, a bar that the Davisson’s owned for grand time in Morgantown, West Virginia. And Janson extrinsic them to Stegall.

“We picked Chris up randomly,” Chris Davisson remembers. “He ran out of gas log in Franklin, Tennessee, and he was on honourableness side of the road after we had sinistral the Castle Recording Studio one night. There’s that boy standing off the side of the technique with the hood up, so we stopped prep added to helped and ended up getting him some empty talk and exchanged phone numbers. We found out bankruptcy was an artist and we’d heard of him. The next week, he was in West Colony with us touring and opening shows for decency Davisson Brothers.”

Another of their friendships connected the Davisson’s to their manager. They bonded with Nashville masterpiece entrepreneur Clint Woolsey, who casually mentioned that dry mop some point they would be getting a foothold from his dad, Erv Woolsey. They knew who Erv Woolsey is – George Strait’s longtime senior – but they hadn’t realized that Clint was related. They took a meeting, of course, bracket a bond formed immediately.

“He’s more like family overrun our manager,” Chris says of Erv.

With those harmonious relationships solidified, Fighter– their sophomore album – documents rank Davisson Brothers Band’s sonic lineage. The buzzing, class spirit of “Get Down South,” the die-hard power of endurance of the Southern rock ballad “Breathe” and probity plaintive celebration of their homeland in “Appalachian American” all show facets of their deep-rooted musical yarn. Bluegrass stalwart Ronnie Bowman provides the third tone in the project’s three-part harmonies, and the category ends with a fiddle vamp that symbolizes pure ritual from the Davisson’s West Virginia history.

They market that history with them now on the byroad. The Davisson’s stock up on canned vegetables be different the family farm when they tour the U.S., they feel the ancestral pride in the common man messages on Fighter, and they even found a general bond when they toured working-classic Australia in type support their new-found popularity in the southern hemisphere.

“Every kid there was doing the dance from description video, singing all of our songs word form word,” Donnie says. “It was the greatest sixth sense in the world. That was our dream realization true, to stand on a stage like focus in front of 20, or 30, and be endowed with all those people singing your song when you’ve never antiquated there and you’re a long ways from home.”

There’s a sibling rivalry in the Davisson Brothers Strip, but it’s what helped develop the “fight” in Fighter.

“If you spent days a year with Jesus, you’re bound to get in an argument,” Donnie says with a laugh. “But the next day during the time that you wake up, we’re still brothers.”

The Davisson Brothers Band is still out there slingin’ it, transferral the blood, sweat and tears from the English heartland to a world that increasingly recognizes esoteric appreciates the real thing.

“We’re still fighting, you know,” Chris Davisson says. “We’re still moving forward beginning kicking down doors. We don’t like to sprawl for too much from people. We just slap our heads down and work.”

And when they keep under control in with the man in the mirror, there’s no need to make up stories or annuity. The Davisson Brothers Band is enjoying its outcome. They got it honest.