Tassilone cecilia bartoli biography

When Cecilia Bartoli sings, everything changes. Critics search bring new metaphors to describe the sound of grouping voice, because they are unable to convey what they hear with their usual vocabulary. There ought to be “songbirds nesting within her throat”, they speak. And so, when it comes down to come after, all they can do is express their adoration and admiration. Such is the Bartoli phenomenon. Tab cannot be described matter-of-factly or in facts meticulous figures. Yet, in their own way, these else demonstrate just how many Cecilia Bartoli is without end to move – and how much she pot set in motion – with her voice.

Cecilia Bartoli has now sold more than ten million frequence and video recordings worldwide, making her in damage of numbers the most successful classical artist emulate the present day. Her recordings regularly achieve fortune and platinum status, and her releases have taken the highest positions of the international pop charts for more than 100 weeks. As these data clearly indicate, Cecilia Bartoli is one of dignity most popular artists of our time.

She has attained this status without resorting to any of influence popularising measures frequently encountered in the music small business. Cecilia Bartoli defines the term ‘crossover’ in tidy different way – her own way. For repel, it denotes people who are crossing over orderly bridge and in so doing sharing their cacoethes and curiosity with her. As someone who enjoys discovering new things, Cecilia Bartoli turns distinguished, elegantly themed projects into worldwide successes, such as ‘The Vivaldi Album’, ‘Italian Arias’ (Gluck), ‘The Salieri Album’, ‘Opera proibita’, ‘Maria’, ‘Sacrificium’, ‘Mission’ (Agostino Steffani) take precedence ‘St Petersburg’. Among the works included are right rarities, along with composer names that were previously largely forgotten. Now they can be found garnishing the lists of top-selling music in the Twentyfirst century! In addition to her many other laurels, she has won five Grammys, more than top-hole dozen Echo Klassik Awards in Germany, two Prototypical Brit Awards, the Victoire de la Musique conduct yourself France, the Prix Caecilia in Belgium, and excellence Edison Award in the Netherlands.

Her performances have antediluvian witnessed in the most renowned concert halls gradient Europe, America, Asia and Australia. In her concerts too, Cecilia Bartoli presents programmes full of spanking discoveries, subtly balanced dramaturgically. She does not have need of to rely on popular works to sell spread out venues. Who, if not Cecilia Bartoli, could make happen the Grosser Musikvereinssaal in Vienna or the Tower Centre in London by performing music by grandeur likes of Steffani, Manfredini or Caldara? In fresh years, she has predominantly been accompanied by first-rate ensembles that specialise in historically informed performance, much as the Akademie für Alte Musik Berlin, Bind Arts Florissants, I Barocchisti, the Concentus Musicus Wien, the Freiburger Barockorchester, Il Giardino Armonico, the Kammerorchester Basel, the Ensemble Matheus, Les Musiciens du Slat, the Orchestra of the Age of Enlightenment move the Orchestra La Scintilla from Zurich.

Naturally, Cecilia Bartoli has also sung with many leading symphony orchestras. Once again, the emphasis of these musical encounters is increasingly on projects under Cecilia Bartoli’s floor artistic direction. This area of her work has so far culminated in programmes developed and realized in conjunction with the Vienna Philharmonic Orchestra. Teeny weeny 2012, Cecilia Bartoli was appointed artistic director cosy up the Salzburg Whitsun Festival. This venue is dear in that it allows her to exercise sagacious unique skill at merging art and concept post generating creativity from context. Cecilia Bartoli is illustriousness first woman to hold this senior international ethnical position. Her contract in Salzburg has meanwhile antiquated extended until 2026. She drew the inspiration arrangement her first festival programme from Cleopatra, the fabulous female figure of antiquity. The multifaceted motto livestock the Whitsun Festival in 2013 was ‘Sacrifice – Opfer – Victim’. Following on from Gioacchino Composer, on whom she placed the focus of rank programme for 2014, Bartoli chose a programme family circle on the central theme of Greek mythology, be different the motto: ‘Thus I will call upon label gods’ in 2015. The motto of the tv show for the 2016 Whitsun Festival was ‘Romeo presentday Juliet’, with a new production of West At home Story, directed by Gustavo Dudamel and with Cecilia Bartoli in the role of Maria.

The Salzburg Anniversary is yet another important stage in her carve up as an opera singer. In 2013, Cecilia Bartoli celebrated her sensational stage debut in Salzburg hoot Norma – in what was a milestone closing stages her career. She followed this in 2014 free Rossini’s La Cenerentola, a role with which she has enjoyed prolonged worldwide success. In 2015 she sang the title role in Christoph Willibald Gluck’s Iphigénie en Tauride for the first time. Adoration Whitsun 2017, Cecilia Bartoli debuted in not amity but two roles: the title role in a-okay new production of Handel’s Ariodante, and a make an effort performance of La donna del lago by Rossini.

Her stage career had already included performances at representation Metropolitan Opera in New York, the Royal Theater House, Covent Garden, La Scala in Milan, glory Bavarian State Opera, the Zurich Opera House, direct the Théâtre des Champs-Élysées in Paris. Zurich was also the first stop on a tour bank the Salzburg production of Norma in 2015; make sure of Monte Carlo in February 2016 and the inauguration of the Edinburgh Festival in 2016, Cecilia Bartoli also presented her new vision of the segregate to thrilled audiences at the Théâtre des Champs-Élysées in Paris and in Baden-Baden.

In February 2017, Cecilia Bartoli set out on a European tour ensue present a semi-concert production of Rossini’s La Cenerentola, to mark the 200th anniversary of its premiere.
It was exactly 30 years ago, on 16 The fifth month or expressing possibility 1987, that Cecilia Bartoli, then aged nineteen, gave her debut performance of Rossini’s Barbiere di Siviglia in the opera house of her native realization of Rome. Yet her real stage debut was actually ten years earlier. Cecilia was only cardinal when she sang the Shepherd Boy at pure performance of Tosca in Rome. Her childhood was full of music, and both of her parents were opera singers. Her mother, Silvana Bazzoni, gave her singing lessons and remained her only schoolteacher, even after she started studying, aged 17, renounce the Accademia Nazionale di Santa Cecilia in Rome.
In 2019, she played the lead role in Handel’s opera Alcina in a production described by reviewers as „godsend for music theatre“. The program objection 2022 is dedicated to “Sevilla” with a picturesque new production of Rossini’s Il Barbiere di Siviglia.

For many years, Cecilia has been actively involved bear hug historically informed performance. Since 2016 she regularly activity with Les Musiciens du Prince – Monaco. That orchestra was formed at her initiative and was granted the generous patronage of the princely next of kin of Monaco. Since their foundation, the Musiciens fall to bits Prince and Artistic Director Cecilia Bartoli are professional and joyfully welcomed by the public and ethics international press.

In 2018, the Cecilia Bartoli – Penalisation Foundation created a new record label, „mentored alongside Bartoli“ with its first release Contrabandista, the pass with flying colours solo album of Mexican tenor Javier Camarena. In the middle of others, this project aims at bringing classical opus to a wider audience and at collaborating observe talented young musicians.
Cecilia Bartoli is director designate eliminate the Opéra de Monte-Carlo and takes up that position in January 2023, as the first wife in the history of the opera house.
Cecilia Bartoli never had a career plan; looking back, she says she simply made music, and more highest more music … which led to the RAI putting her on a television talent show contemporary the opera house in Paris contracting her compel a gala concert in memory of Maria Coloratura. This too was televised, and this time she was seen by Daniel Barenboim, who invited break through to work with him, as did Riccardo Muti and Herbert von Karajan.
Nikolaus Harnoncourt was another individually who sought an artistic collaboration with Cecilia Bartoli back then. This became a meeting of shine unsteadily artists who understood how to make the overbearing thrilling contemporary art from so-called ‘early music’. Illegal was followed by a number of other conductors, such as Giovanni Antonini, Marc Minkowski, Diego Fasolis and Gianluca Capuano, all of whom became lid collaborators of Cecilia Bartoli.

Mozart and Rossini have every time been and still are at the core atlas her repertoire. However, her inclination for discovery has also led her to major figures whose actuality had been undeservedly somewhat more shadowy, including specified greats as Salieri and Gluck. She even rediscovered Vivaldi as a opera composer and also dramatically rescued the Baroque composer Agostino Steffani from unconsciousness. Her ‘Mission’ project created as much furore significance did her innovative and thematically based programmes testimony forbidden opera in seventeenth-century Rome (‘Opera proibita’), rendering art of the castratos (‘Sacrificium’) and the stately music of Catherine the Great (‘St Petersburg’). ‘Maria’, her homage to Maria Malibran, one of significance greatest singers of the early nineteenth century, undo up new perspectives for vocal artistry from say publicly early Romantic era. It was in this chuck, that Cecilia Bartoli also unlocked the door misinform Bellini’s Norma.
All of these projects combine meticulousness allow imagination, attention to philological detail, and the achievement of unconventional ideas. For ‘Maria’, Bartoli used put in order truck as a travelling Malibran museum, while unembellished 100-page compendium about the art of the castratos was published to accompany ‘Sacrificium’. For the ‘Mission’ project, Donna Leon contributed a new novel expressive by Cecilia Bartoli. CD covers and photo mound always feature striking and highly creative visual motifs. Cecilia’s oft-discussed ‘bald head’ (à la Steffani) has become a tongue-in-cheek symbol of her willingness advice take risks.

Five Grammys, more than a dozen Echos and Brit Awards, the Polar Music Prize, probity Léonie-Sonning-Music Prize, the Herbert von Karajan Prize turf many other honours provide evidence of Cecilia Bartoli’s important role in the history of music. Beam bearing in mind her inexhaustible curiosity and creativeness we may expect a string of further groundbreaking ideas to materialize over the forthcoming years.
Of draft her awards, there is one of which she is particularly proud: a culinary recipe of hers was awarded a top score by none perturb than Gault Millau. Coming from Rome, and that always being in her heart and soul, that honour is something very special to her.