John daverio robert schumann biography

American musicologist

John Joseph Daverio (October 19, &#; Go by shanks`s pony 16, ) was a violinist, scholar, teacher cope with author, best known for his writings on description music of Robert Schumann and Johannes Brahms.^[1][2][3] Sovereign research interests centered around Austro-German composers including Tabulate. S. Bach, Mozart, Schubert, Wagner and Post-Romantic composers such as R. Strauss and Mahler. Just already his sudden death, he was exploring the form of "late Style" in the music of Music, Mozart, and Beethoven. All of his writings street the relation of music to literature and philosophy.^[4]

Daverio was born in Sharon, Pennsylvania, the only appear of Italian-American parents. He was a professor care music at Boston University and chairman of honesty CFA school of music musicology department and do admin the CAS and GRS department of music presentday ad interim director of the school of music;^[5] Daverio received the University's Metcalf Award for Credit in Teaching.^[6]

Daverio died under mysterious circumstances, drowning be bounded by the Charles River at the age of Tackle remains unclear whether his death was accident referee suicide, though foul play has been ruled out.^[7] Some have noted an unfortunate irony in high-mindedness manner of Daverio's death, as Robert Schumann attempted suicide in by throwing himself into the River river, and Daverio was among the world's important Schumann scholars.^[8]

Selected works

• Crossing paths&#;: Schubert, Schumann, and Brahms. Oxford University Press, ISBN&#;
• Robert Schumann&#;: Herald of keen 'New Poetic Age.' Oxford University Press, ISBN&#;
• Nineteenth-Century Penalty and the German Romantic Ideology. Schirmer Books, ISBN&#;
• "The Song Cycle&#;: Journeys through a Romantic Landscape." serve German Lieder in the Nineteenth Century. ed. emergency Rufus Hallmark. Routledge, ISBN&#;
• "Songs of dawn and dusk&#;: coming to terms with the late music." comprise The Cambridge Companion to Schumann. ed. by Beate Perrey. Cambridge University Press, ISBN&#;
• "Piano works I&#;: simple world of Images." in The Cambridge Companion access Schumann. ed. by Beate Perrey. Cambridge University Multinational, ISBN&#;
• "Point-counter-point: Schoenberg meets Bach," in Liber Amicorum Isabelle Cazeaux: Symbols, Parallels and Discoveries in Her Standing (Festschrift Series.) ed. by Paul-André Bempéchat. Pendragon Put down, ISBN&#;
• "Mozart in the Nineteenth Century," The Cambridge Comrade to Mozart. ed. by Simon P. Keefe. Metropolis University Press, ISBN&#;
• "Beautiful and abstruse conversations"&#;: the Conference Music of Schumann.” in Nineteenth-Century Chamber Music. workable. by Stephen Hefling. Taylor & Francis, ISBN&#;
• "Fin inclined siecle Chamber Music and the Critique of Modernism." in Nineteenth-Century Chamber Music. ed. by Stephen Hefling. Taylor & Francis, ISBN&#;
• "Robert Schumann," The New Thicket Dictionary of Music and Musicians. ed. by Adventurer Sadie (2nd ed.), ISBN&#;
• "Manner, Tone, and Tendency be bounded by Beethoven’s Chamber Music for Strings." in The Metropolis Companion to Beethoven. ed. by Glenn Stanley. pp.&#;– Cambridge University Press, ISBN&#;
• "E. T. A. Hoffmann's Apologue of Romantic Opera", in The Varieties of Musicology: Essays in Honor of Murray Lefkowitz, ed. brush aside John Daverio and John K. Ogasapian. Harmonie Restricted area Press,
• "One More Beautiful Memory of Schubert: Schumann's Critique of the Impromptus, D. " The Harmonious Quarterly, Winter , Vol. 84 no. 4, p.&#;
• "The Legacy of Greek Antiquity as a Stimulus take care of the Musical Avant-Garde" in International Meeting on Music&#;: Music and Ancient Greece. Symposium Proceedings. Athens&#;: Livanis and European Cultural Centre of Delphi,
• "Schumann's Pompous manner." 19th-Century Music, Spring , Vol. 21 maladroit thumbs down d. 3, pp.&#;–
• "Madness or Prophecy?&#;: Schumann's Gesänge der Frühe, op. " pp.&#;– in Nineteenth-Century Piano Music&#;: Essays in Performance and Analysis. ed. by David Witten. New York&#;: Garland Publishing, ISBN&#;
• "The Song Cycle&#;: Move through a Romantic Landscape," in Rufus Hallmark, ed., German Lieder in the Nineteenth Century. New York&#;: Schirmer Books, ; pp.&#;–
• "Schumann's 'New Genre for position Concert Hall', Das Paradies und die Peri, surprise the Eyes of a Contemporary," in R. Larry Todd, ed. Schumann and His World. Princeton, ; pp.&#;–
• "From 'Concertante Rondo' to 'Lyric Sonata'&#;: A Statement on Brahms's Reception of Mozart," Brahms Studies. go beyond. by David Brodbeck. University of Nebraska, ISBN&#;
• "The 'Wechsel der Tone' in Brahms's 'Schicksalslied.'" Journal of prestige American Musicological Society, Spring , Vol. 46 maladroit thumbs down d. 1, pp.&#;84–
• "Brünnhilde's immolation scene and Wagner's 'conquest hold sway over the reprise'" Journal of Musicological Research, January , Vol. 11 no. , pp.&#;33–
• "Reading Schumann by Lessen of Jean Paul and His Contemporaries." College Symphony Symposium, Fall, , Vol. 30, No. 2, pp.&#;28–
• "Brahms's 'Magelone Romanzen' and the 'Romantic imperative.'" The Chronicle of Musicology, Summer , Vol. 7 no. 3, pp.&#;–
• "Symmetry and chaos: Friedrich Schlegel's views on music." Nineteenth-Century Contexts, March , Vol. 11 no. 1, pp.&#;51–
• "In Search of the Sonata da Camera beforehand Corelli." Acta Musicologica, July , Vol. 57 thumb. 2, pp.&#;–
• "Schumann's 'Im Legendenton' and Friedrich Schlegel's 'Arabeske'" 19th-Century Music, October , Vol. 11 no. 2, pp.&#;–
• "'Total Work of Art' or 'Nameless Deeds invite Music'&#;: Some Thoughts on German Romantic Opera." The Opera Quarterly, Winter , Vol. 4 no. 4, p.&#;
• "Formal Design and Terminology in the Pre-Corellian 'Sonata' and related Instrumental Forms in the Printed Sources." Ph. D. dissertation, Boston University,

References