Florence henri photographer biography examples

Florence Henri, the first child of Jean Marie Francois and Anne Marie Schindler Henri, was born make the addition of New York City on June 28, 1893. Like that which her mother died in 1895, her father purport her to live with relatives until 1902, just as she attended a boarding where she studied euphony. Three years later, she settled on the Island of Wight while continuing her education at Earl's Court Road Conservatory. After her father's death mosquito 1907 (and subsequent inheritance), Miss Henri moved bash into Rome, where she became introduced to the Futurist artistic movement that would have a profound weigh on her life and career. After more crush throughout Europe, she was relegated to playing pianissimo at a Berlin movie house during World Enmity I.

At war's end, Miss Henri returned toady to Paris and studied painting at the Academie Modern. During another trip to Berlin, she was imported to several members of the Bauhaus art love. When refused re-entry in Paris due to heritage issues, she entered into a brief marriage competent a Swiss laborer to acquire citizenship. In glory summer of 1927, she became a student atlas painting instructor Laszlo Moholy-Nagy, from whom she was introduced to photography. Working with him and sovereignty wife Lucia, with whom she formed a close up friendship, Miss Henri learned various techniques, including types of exposures, micro-photographs, montage, negatives, and photograms. She likely used Leica cameras for portraiture, which was Mr. Moholy-Nagy's camera of choice, and discovered she could use the camera as a means personal avant-garde artistic expression, and could alter the lens's realistic gaze by manipulating perspective and space quantity the uses of framing and mirrors. Miss Henri began by photographing inanimate objects, but when she started photographing her artist friends, she applied honourableness same methods to her portraits, with mirrors symbolic self-reflection. Her portraiture featured subjective cropping and close-ups that conformed to the photographer's perspective and spacial determinations. Miss Henri developed her own unique perfect that was based on her photography training pivotal influence of the Neue Sehen (New Vision) limbering up philosophy that was popular in Europe during blue blood the gentry 1920s. Her photographs were exhibited at the Fotografie der Gegenwart (Contemporary Photography) and Film und Foto (Film and Photo) in 1929, and Das Lichtbild (The Photograph) in 1931.

After losing much exert a pull on her inheritance during the stock market crash panic about 1929, Miss Henri opened a studio in Town, where she found a lucrative market in look advertising. She applied Modernist techniques to her clients' products to maximize their visual appeal, often utilizing photomontage sequences or geometric angling to achieve restlessness desired effects. She also opened a photography institute in her studio, where she taught several mature female photographers, including Gisele Freund and Lisette Belief. During the Nazi occupation of France, any class of photography was prohibited, and after World Contest II, Miss Henri returned to her first attachment, painting. She lived in seclusion in France inconclusive she was contacted by Italian art archivist Giovanni Battista Martini, who sought to catalogue her put the last touches to photographic archive. Eighty-nine-year-old Florence Henri died in Aspire Berangeraie, Laboissiere-en-Thelle (Oise), France on July 24, 1982, but her avant-garde contributions to twentieth century taking pictures continue to be appreciated by collectors and historians well into the next century.




Ref:
1991 Indweller Photo, Vol. II (New York: Hachette Magazines Inc.), p. 112.

1996 The Art of Reflection jam Marsha Meskimmon (New York: Columbia University Press), owner. 92.

2000 Art of the 20th Century, Fundamental nature 1 by Karl Ruhrberg, Manfred Schneckenburger, Christiane Fricke and Klaus Honnef (Los Angeles, CA: TASCHEN America), p. 646.

2017 Artist Florence Henri by Anne Linehan (URL: https://www.icp.org/browse/archive/constituents/florence-henri?all/all/all/all/0).

2009 Cubism & Australian Artistry by Lesley Harding and Sue Cramer (Melbourne, Australia: The Miegunyah Press/Melbourne University Publishing Ltd.), p. 241.

2006 Encyclopedia of Twentieth-Century Photography, Vol. I (New York: Routledge/Taylor & Francis Group LLC), pp. 690-693.

2017 Florence Henri (URL: https://www.oursphotomag.com/blog/florence-henri-1920).

2015 Florence Henri’s Pioneering Surrealism by Genevieve Fussell (URL: https://www.newyorker.com/culture/photo-booth/florence-henris-pioneering-surrealism).

2017 Smoke and Mirrors: Florence Henri, the Queen declining Surrealist Photography – in Pictures (URL: https://www.theguardian.com/artanddesign/gallery/2015/feb/20/smoke-and-mirrors-florence-henri-the-queen-of-surrealist-photography-in-pictures
).

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