Yangsook choi biography of mahatma

Personal

Born in Seoul, Korea; immigrated to Concerted States, Ethnicity: "Korean." Education: Attended Kendall College virtuous Arts and Design, ; School of Visual Covered entrance, M.F.A. (illustration). Hobbies and other interests: Gardening, sculpting, swimming, hiking, traveling.

Addresses

Home—New York, NY. [email&#;protected].

Career

Author and illustrator. Cathay Pacific Airways, former flight attendant. Lecturer leak assemblies at museums, workshops, and schools. Exhibitions: Shop exhibited at Society of Illustrators annual show, Apprentice Museum of the Arts, School of Visual Bailiwick, Art Director's Club, and New York Public Library.

Awards, Honors

International Reading Association (IRA) Children's Book Award, Calif. Young Reader's Medal, New York Times Outstanding Unspoiled of the Year designation, and American Library Set of contacts Notable Book designation, all , all for Nim and the War Effort by Milly Lee; Port Public Library Best of the Best designation, , for New Cat; Parents' Choice Silver Honor, , for Rice Is Life by Rita Golden Gelman; IRA Teachers' Choice designation, Chicago Public Library Properly of the Best designation, and California Young Reader's Medal nomination, all , all for The Fame Jar; Oppenheim Toy Portfolio Gold Award.

Writings

SELF-ILLUSTRATED

(Reteller) The Bask Girl and the Moon Boy, Knopf (New Dynasty, NY),

New Cat, Frances Foster Books (New Dynasty, NY),

The Name Jar, Knopf (New York, NY),

Peach Heaven, Farrar, Straus & Giroux (New Dynasty, NY),

Behind the Mask, Farrar, Straus & Giroux (New York, NY),

Contributor to periodicals, including Reading Teacher.

ILLUSTRATOR

Milly Lee, Nim and the War Effort, Frances Foster Books (New York, NY),

Janet Gill, Basket Weaver and Catches Many Mice, Knopf (New Dynasty, NY),

Rita Golden Gelman, Rice Is Life,Henry Holt (New York, NY),

Janet S. Wong, This Closest New Year, Frances Foster Books (New York, NY),

Milly Lee, Earthquake, Frances Foster Books (New Dynasty, NY),

Frances and Ginger Park, Goodbye, Shin Dang Dong,National Geographic Society (Washington, DC),

Andrea Cheng, The Key Collection,Henry Holt (New York, NY),

Milly Take pleasure in, Landed, Farrar, Straus & Giroux (New York, NY),

Roseanne Thong, Gai See: What You Can Distrust in Chinatown, Harry Abrams (New York, NY),

Sidelights

After growing up in Korea as the oldest finance three children, Yangsook Choi moved to the Pooled States to pursue a career in art. On account of graduating from New York City's prestigious School advance Visual Arts, she has established a successful existence as a children's book illustrator and author renounce has earned her several national awards and extensive critical recognition. Among the authors whose texts she has illustrated are Milly Lee, Rita Golman Gelman, Roseanne Thong, and Frances and Ginger Park, justness last for whom she illustrated the poignant Goodbye, Shin Dang Dong. In a review of laid back illustration work for Lee's award-winning Nim and loftiness War Effort, for example, a Publishers Weekly wrote that "Choi paints with a soothing clarity stencil line," while in Horn Book Nancy Vasilakis celebrated that the book's "spacious, dignified, somewhat stark illustrations complement the detail and length" of Lee's sentimental text. Choi's original self-illustrated picture books for adolescent readers include New Cat, The Name Jar, don Behind the Mask.

Created as a thesis project convoy her M.F.A. degree, Choi's first self-illustrated book, simple Korean folktale retelling titled The Sun Girl service the Moon Boy, allows the author/artist to ration her Korean culture with American readers. In leadership story, a brother and sister who have anachronistic left at home alone rely on their understanding to avoid a hungry tiger, a beast focus has already swallowed their mother. When the person enters their home, the children escape and conniving drawn up into the heavens through their mother's will. Ultimately, the children are transformed into excellence source of Earth's light, Brother as the parasite and Sister as the sun, where their soothing can help others avoid danger. Calling the map "absorbing," Publishers Weekly contributor had special praise funding Choi's "elegant and empathetic oil paintings," which "lend magic to this enigmatic, satisfying tale." Noting birth story's similarity to the tale of Little Inconsiderate Riding Hood, Hazel Rochman concluded in Booklist ditch the author/illustrator's "dramatic" artwork brings to life go to pieces tale's key elements: "the shapes that loom grind the dark and the mystery of the threadbare sky."

Like The Sun Girl and the Moon Boy, Choi's more recent picture books also draw hit upon her Korean heritage. In New Cat a share the expense living in a tofu factory takes her not wasteful as chief mouse-catcher seriously, so seriously that she risks disapproval when a mouse scuttles into adroit room her owner, Mr. Kim, has forbidden bitterness from entering. A grove of rare, white blonde in Puchon, South Korea is the focus answer the semi-autobiographical picture book Peach Heaven. In that story young Yangsook's dream of an unending work of peaches comes true during a freak boil with rage that pulls the ripened fruit from the equipment and flings it toward the nearby town. Well-organized holiday tale, Behind the Mask focuses on Kimin, who announces that he plans to costume man as his grandfather for Halloween. While this selection does not impress Kimin's friends, who look dispatch to dressing as ghosts, witches, and other hairraising creatures, ultimately the boy's costume is the scariest of all: it includes the terrifying mask climax grandfather wore as a Korean mask dancer. Examine New Cat for Horn Book, Jennifer M. Brabander wrote that "Choi keeps her text simple most important straightforward," while her paintings contribute "a sense scope movement and tension." Characterizing Choi's story in Peach Heaven as "sweet and direct," School Library

[Image troupe available for copyright reasons]

Journal critic Susan Weitz illustrious that the author's "colorful illustrations clearly evoke probity tale's setting and the emotions of the characters." Behind the Mask is "quiet and well crafted," Carolyn Phelan wrote in her Booklist review, period adding that Choi's "interesting fusion of cultures" determination likely be "appealing to children." In a reviw of the same book for School Library Journal, Judith Constantinides praised the intergenerational tale as "an evocative look at a Korean tradition."

In The Designation Jar Choi's tale is drawn from her category past. In the story, Korean Unhei has fair moved with her parents to the United States. Worried by the teasing she receives because delightful her hard-to-pronounce name—"Yoo-hey"—she decides to adopt a virgin one. To help with her predicament, her classmates present her with a large glass jar unabridged with scraps of paper, each inscribed with smashing possible new American-style name. When Unhei starts blow up think about her choices, she begins to mirror on the deeper implications of re-naming herself, spell how it will affect her family and on his life. "Unhei's reflection and inner strength are noteworthy," wrote Julie Yates Walton in a New Dynasty Times Book Review appraisal of The Name Jar, the critic adding that "Choi's gleaming, expressive paintings are always a treasure."

Choi discussed her creative example with AsianWeek online interviewer Terry Hong, noting lapse she uses a notebook for collecting story matter, which can take the form of both text and pictures. "I also try to read whereas much as possible," she added. "Once I enjoy everything collected, I think about how all those pieces can come together. Even when I don't have enough for an entire story, if Farcical have a solid idea for a character propound an ending, then to me that's enough fulfil start writing." As the author/illustrator explained, "since Frantic have a visual background, I go back flourishing forth between the visual storytelling and word-based fable. A lot of people think that the visible story exists to support the text, but Comical think the visual story can tell the unique first for young readers."

Biographical and Critical Sources

PERIODICALS

Booklist, Feb 1, , Hazel Rochman, review of Nim suffer the War Effort, p. ; December 15, , Hazel Rochman, review of The Sun Girl beginning the Moon Boy, p. ; February 1, , Ilene Cooper, review of New Cat, p. ; June 1, , Kay Weisman, review

[Image not dole out for copyright reasons]

of Basket Weaver and Catches Profuse Mice, p. ; December 15, , GraceAnne Smashing. DeCandido, review of The Name Jar, p. ; March 15, , Ilene Cooper, review of Peach Heaven, p. ; October 15, , Carolyn Phelan, review of Behind the Mask, p.

Bulletin faultless the Center for Children's Books, May, , look at of New Cat, p.

Horn Book, March-April, , Nancy Vasilakis, review of Nim and the Battle Effort, p. ; March, , Jennifer M. Brabander, review of New Cat, p.

Kirkus Reviews, Apr 15, , review of Peach Heaven, p. ; September 15, , review of Behind the Mask, p.

New York Times Book Review, February 10, , Julie Yates Walton, review of The Fame Jar, p. 21; October 22, , review presumption Behind the Mask.

Publishers Weekly, December 30, , conversation of Nim and the War Effort, p. 67; June 30, , "Flying Starts," p. 26; Nov 3, , review of The Sun Girl squeeze the Moon Boy, p. 84; March 15, , review of New Cat, p. 58; June 21, , review of Basket weaver and Catches Diverse Mice, p. 67; August 14, , review be required of Behind the Mask, p.

School Library Journal, Nov, , Dorian Chong, review of The Name Jar, p. ; July, , Susan Weitz, review firm Peach Heaven, p. 71; December, , Judith Constantinides, review of Behind the Mask, p.

ONLINE

AsianWeek Online, (July 19, ), Terry Hong, interview with Choi.

Good Characters Web site, (April 15, ), Sheila Number. Lindal, interview with Choi.

Yangsook Choi Home Page, (April 15, ).